“The limitations of inkjet technology are of little consequence when their output is used as an intermediate step on the way to a photographic print.”

Writer of the upcoming and long-awaited second edition of Beyond Monochrome, British photographer Chris Woodhouse shares a chapter from his new book that details the process of how to get silver-gelatin prints from inkjet positives.

Chris Woodhouse ARPS, is an English electronic engineer and photographer, who designs f/stop timers and enlarger meters. He is the co-author of Way Beyond Monochrome. This Article is a revised and shortened version of a new chapter that will appear in the second edition, which is due for completion this year.

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